Until 2011, Jonathan Darlington was music director of the Duisburg Philharmonic Orchestra and has held the same position with the Vancouver Opera since 2002. His passionate yet refined approach to music making has done much to increase the popularity and quality of both orchestras.
A graduate of Durham University and the Royal Academy of Music, he began his career as freelance pianist, accompanist and répétiteur in France. His work was influenced early on by such outstanding musical personalities of our time as Pierre Boulez, Riccardo Muti and Olivier Messiaen. He made his conducting debut in 1984 at the Parisian Théâtre des Champs Elysées with Francesco Cavalli’s baroque opera Ormindo, and in 1991, as deputy to the Music Director Myung-Whun Chung at the Paris Opéra with Le nozze di Figaro.
A charismatic enthusiasm and an acute sensitivity with regard to orchestral colour and balance are the hallmark of Jonathan Darlington’s work. His vast symphonic and operatic repertoire ranges from the baroque to the contemporary, with an emphasis on lesser known (contemporary) works outside the European mainstream. Numerous world and national premieres of works such as Trojahn’s La Grande Magia or Kagel’s Broken Chords attest to his commitment to contemporary music. Renowned for his broad repertoire, he gives regular guest appearances with major orchestras and opera houses the world over.
Jonathan Darlington is both a “Laureate” (LRAM) and “Fellow” (FRAM) of the Royal Academy of Music, London, and is proud to hold the distinction of Chevalier des Arts et des Lettres.
Website of Jonathan Darlington